Archive for January 2024
“Poetry is to prose as dancing is to walking.”
by John Wain
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As I worked my way slowly through the public school system back in the 1960’s I received little or no information or exposure to poetry. It was mentioned in passing in some classes but there never was any serious time devoted to it. It just seems to me that making some poetry (not just the classics) available to younger students might just motivate them to either read more poetry or to write their own. A gentlemen named Richard Lewis, a lecturer on children’s literature and creative writing, apparently agreed with me. In cooperation with UNESCO, he traveled through eighteen English speaking countries around the world collecting poetry written by children between the ages of five and thirteen. Three thousand poems were collected with the best 200 published in his book, “Miracles” published in 1966. I’ve picked out two samples to give you some idea of just how talented many of the youngsters can be when expressing their thoughts in a poetic fashion.
THUNDER
by Glenys Van Every, Age 9, Australia
I hear
the drummers
strike
the sky.
***
SUMMER
by Margaret Bendig, Age 10, United States
Inviting, rippling waters
Waiting for little toes
Hurry, go get changed!
***
After reading a few pages of these poems I had a minor epiphany. These children were not trained in poetry but as they wrote their poems many of them began to look very much like free-verse haiku’s. Having no set restrictions on the length of lines and syllable counting allows the young poets freedom to truly express themselves.
Of course, being the irreverent SOB that I am I decided to write this haiku of mine and take it down a road not normally traveled. It contains some reference to nature but also just a touch of my humor. It’s a poetic mortal sin to write them this way and I’m sure it will tweak the noses of a few people. It’s always fun at times to make some people a little crazy.
*❤️*
NATURAL
by Me, Age: Old
Out of the corner of my eye
A bird sails quietly by.
A flash of golden sunlight,
And I have bird shit on my thigh.
***
SMILE, I DID INCLUDE SOME NATURE
‘The best craftsmanship always leaves holes and gaps . . . so that something
that is not in the poem can creep, crawl, flash, or thunder in.”
Dylan Thomas (1914-1953)
Well, welcome back to 2024. I hope you enjoyed the last post concerning Mr. Poe because I certainly did. I thought today I would begin talking about haikus. The current requirements for haikus are a first line with five syllables, a second line with seven syllables, and a third line of five syllables. When I first discovered the haiku I thought the rigidity of this design didn’t make a lot of sense. The more I learned about haikus the wiser I thought I became. Here are two examples of haiku’s written by a gentleman from Japan who is considered the father of haikus, Matsuo Kinsaku (1644-1694). He began writing haikus under the name of Basho in 1672. In Basho’s humble opinion a haiku should be created using a minimum of words to paint a mental picture for the reader. Basho included descriptions of nature in most of his haikus but wasn’t limited to a fixed syllable count. I’m all for free-verse haiku’s but I still find the nature requirement of Basho a bit restrictive. Here are couple of samples of Basho’s haikus published in the 1680’s. See what you think.
Spring rain –
under trees
a crystal stream.
***
On the dead limb
squats a crow –
autumn night.
The structure of haikus as mentioned above were created by two poets, Sokan (1458-1546) and Moritake (1472-1549). In Basho’s opinion their works were terse but failed to adequately evoke nature. Three hundred years later a haiku school, the Soun, was opened celebrating Basho’s free-verse approach. The haiku should be based on content not on the number of syllables in each line. With this I whole heartedly agree.
Here is a little something I discovered recently. It’s shows the form of a free-verse haiku but was simply published as a standard poem. References to nature are gone offering a more interesting take on life, love, and people.
we are the dreamers
we are the dancers
life is the music
love is the song.
For all of you Star Trek fans out there, this was written some years ago by Leonard Nimoy and was included in his book of poetry “A Lifetime of Love” published in 2002.
“The true poet dreams being awake.”
Charles Lamb
I thought I’d start this year with a most interesting writer and poet, Edgar Allen Poe. I was introduced to him in high school way back in the days of covered wagons and wild Indians (that was sarcasm). His poetry was spooky, dark, and mysterious which drew me to it immediately. What 15-year-old kid wouldn’t love that? As with most school systems of the time they offered only a few of his writings for classroom work and discussion. The Raven stands as one of his greatest works and we were required to read and memorize certain passages to get a passing grade and then we moved on to other things. My second Poe favorite was Anabel Lee. A love story for the ages except Anabel doesn’t long survive the experience. The flow of his words in that poem grabbed me immediately and I was able to quote some of its passages for years and occasionally still do.
As I aged and was able to read more about Poe and his strange approach to life, the more attention I began to pay to poetry in general. I still think that actual world class poets are few and far between, but Poe was the real deal. Along with Emily Dickenson they are my two favorites. I especially liked Poe because he wrote what he felt and really did nothing to pander to the masses. In my opinion that’s what gives his works real meaning and weight.
Another of Poe’s works has slowly over the years made its way to the top of my favorites list, even more so than the Raven and Anabel Lee. I stumbled on to it quite by accident years ago and it has become one of those rare things that periodically calls to me to be read again. As with all of Poe’s poetry it’s best read while wrapped in a warm blanket on a dark and stormy night by candlelight.
ALONE
From childhood’s hour I have not been
As others were – I have not seen
As others saw – I could not bring
My passions from a common spring –
From the same source I have not taken
My sorrow – I could not awaken
My heart to joy at the same tone –
And all I lov’d – I lov’d alone –
Then – in my childhood – in the dawn
Of a most stormy life – was drawn
From ev’ry depth of good and ill
The mystery which binds me still –
From the torrent, or the fountain –
From the red cliff of the mountain –
From the sun that ’round me roll’d
In its autumn tint of gold –
From the lightning in the sky
As it passed me flying by –
From the thunder, and the storm –
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
1829
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WELCOME TO 2024
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