I thought we should visit some children today and read some of their outstanding poetry. Many of these kids are between the ages of 4 and 13 and are from various English-speaking countries around the globe. I find their poetry extremely innocent and pure because they write what they feel without any real awareness of political correctness or the many biases that seem to be everywhere these days. Enjoy them.
🚸🚸🚸
By Sarah Gatti, Age 10, New Zealand
THE SUNBEAMS
It’s a sunny, sunny day today,
There’s not a fluffy cloud in the sky.
The sky’s all blue in a light blue haze,
The orange sun is shining as it stalks along the sea,
And leaves a shiny golden path, for me to walk along.
A few weeks ago, I posted a number of limericks written in the World War II era. Your response was much better than I anticipated so I thought I’d dig up a few more from that same era to make you laugh and smile all these years later.
If you didn’t already know this, limericks in their own way are historical documents. In the past I reprinted a selection of World War II era limericks but how could I possibly forget the interesting limericks created by some of our famous cowboy historians. I knew I would find some bawdy limericks about our western heritage as written by bored saloon patrons or from a few bored bar maidens, or even a select few university scholars like Ray Allen Billington (Limericks, Historical and Hysterical). Try these on for size.
If you’ve read this blog at all you know I consistently use famous quotations from famous people to help make a point. Over the years having all of those quotes available has made my life much easier. Not all quotes are complementary, and I found almost as many nasty and mean quotes as good ones. Here are some quotes that some people probably wish they hadn’t made. You be the judge…
“Suburbia is where the developer bulldozes out the trees, then names the streets after them.” Bill Vaughn
“You have set up in New York Harbor a monstrous idol which you call Liberty. The only thing that remains to complete the monument is to put on its pedestal the inscription written by Dante on the gates of Hell: “All hope abandon, ye who enter here.” George Bernard Shaw
“St. Laurent has excellent taste. The more he copies me, the better taste he displays.” Coco Chanel
“Everyone wants to understand painting. Why don’t they try to understand the singing of the birds? People love the night, a flower, everything which surrounds them without trying to understand. But painting – that they must understand.” Pablo Picasso
“There are moments when art attains almost the dignity of manual labor.” Oscar Wilde
This next section concerns a prolific contributor to every subject imaginable: Anonymous. I truly enjoy these mean and nasty unidentified criticizers.
“Critics are the stupid who discuss the wise.”
“An architect is two percent gentleman and ninety-eight percent renegade car salesman.”
“The Eiffel Tower in Paris is the Empire State Building after taxes.”
“A modern artist is one who throws paint on a canvas, wipes it off with a cloth, and sells the cloth.”
“They couldn’t find the artist, so they hung the picture.”
“Poetry is living proof that rhyme doesn’t pay.”
“Dancing is the perpendicular expression of a horizontal desire.”
I’m about to do something I promised myself I wouldn’t ever do. Today I’m going to post three truly lewd and disgusting limericks. This is to appease a small number of readers who’ve been begging and bugging me for months to print some filth. It’s not something I want to do but I will do it albeit with a slight twist. As you read these three limericks you may notice a large number of asterisks. It’s part of the twist for you to determine the missing letters. That’s the best I can do for all you pervs out there, so enjoy.
Well, it’s Sunday and the Steeler game has been canceled until Monday due to weather concerns. It’s a little annoying but not all that surprising for anyone who’s ever been in Buffalo during the winter. In my previous life as a regional manager for a national chain I was assigned stores in Buffalo and Niagara Falls. I swear to God that every time I made a trip there during the winter, I ended up getting snowed in and spending an extra day or two in order to give the citizens time to clean up the snow, open the roads, and allow me to fly the hell out of there. Buffalo is a nice town (sarcasm) but not a place I’d like to spend any extra time in. I’ve been to Niagara Falls and unfortunately if you’ve seen one waterfall you’ve seen them all. With that being said and since my day has been interrupted, I thought I’d get a little silly. Everyone seems to love the limericks I post so I offer you a few odd ball limericks today. These are tongue twister limericks written by a gentleman named Lou Brooks in 2009 in a book of the same name. Enjoy . . .
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Nosy Rose got closed in a closet of clothes,
The clothes closet closed on Rose’s red rosy nose,
She tweaked on her beak,
For over a week,
Rose’s nosy red nose now hangs close to her toes.
🌨️🌨️🌨️
Walt walked and talked on his wife’s walkie-talkie,
Walt’s wife’s walkie-talkie made Walt’s talky-talk squawky.
Wide awake while Walt walked,
Was what Walt was while he talked,
While Walt’s wife walked her way to Milwaukee.
Two of these should be sufficient. Trying to get a computer program to type these as I speak is ridiculous. Here’s a description of my day in a nutshell.
As I was preparing this post, I decided midsentence to step away from poetry for a day or two and to return to one of my favorite things which are limericks. I have quite the collection of limericks of all types and unfortunately, I have hundreds that I really can’t post on this blog, no matter how much readers continue to request them. I’ve picked out a few random samples from different historical periods and I’ll post them over the next few weeks. Here is my history by limerick . . .
“The poet is a reporter interviewing his own heart.”
Christopher Morely
***
Poetry at times can be beautiful. It can bring tears to your eyes and joy to your heart but as with anything it also has the ability to become something dark and disturbing. I try to make a point of reading samples of poetry from as many poets as I can. Some of the most touching poems are not about happy moments running through fields of flowers with birds flying around, but of deep sadness and pain.
On a regular basis I make purchases from thrift bookstores on eBay. A book arrived at my home recently and I knew reading it was going to be extremely difficult. It’s a selection of poetry written by young people who have had to deal with divorcing parents. The book istitled “broken hearts… healing”, Young Poets Speaking Out, compiled and edited by Tom Worthen, Ph.D. I just finished reading the first half of that book and it forced me to deal with the pain I caused to my own son. Many years ago, I ended a twenty-year marriage and caused a great deal of pain to a young man that we adopted (at age twelve) from a number of state-run foster homes. He deserved better than we were able to give him at the time, and this book brought it all back with a vengeance. Here are two poems that brought tears to my eyes.
TUG OF WAR
Nobody has the life I have,
I can’t imagine if the whole world did.
My parents don’t even talk,
They get to ask who wants us and when.
It is like me and my two sisters are in the middle of everything.
So I hope you don’t have the life I have,
And if you do I’m sorry.
by Beth, Age 11
***
WHERE IS MY DAD?
He comes around like he cares,
but when I was young he was not there.
He has a new family and a wife to love dear,
when I was around he made me feel weird.
When I was alone crying in my bed,
was he there, no, it was mom instead.
When I look at my friends with their moms and dads,
As I worked my way slowly through the public school system back in the 1960’s I received little or no information or exposure to poetry. It was mentioned in passing in some classes but there never was any serious time devoted to it. It just seems to me that making some poetry (not just the classics) available to younger students might just motivate them to either read more poetry or to write their own. A gentlemen named Richard Lewis, a lecturer on children’s literature and creative writing, apparently agreed with me. In cooperation with UNESCO, he traveled through eighteen English speaking countries around the world collecting poetry written by children between the ages of five and thirteen. Three thousand poems were collected with the best 200 published in his book, “Miracles” published in 1966. I’ve picked out two samples to give you some idea of just how talented many of the youngsters can be when expressing their thoughts in a poetic fashion.
THUNDER
by Glenys Van Every, Age 9, Australia
I hear
the drummers
strike
the sky.
***
SUMMER
by Margaret Bendig, Age 10, United States
Inviting, rippling waters
Waiting for little toes
Hurry, go get changed!
***
After reading a few pages of these poems I had a minor epiphany. These children were not trained in poetry but as they wrote their poems many of them began to look very much like free-verse haiku’s. Having no set restrictions on the length of lines and syllable counting allows the young poets freedom to truly express themselves.
Of course, being the irreverent SOB that I am I decided to write this haiku of mine and take it down a road not normally traveled. It contains some reference to nature but also just a touch of my humor. It’s a poetic mortal sin to write them this way and I’m sure it will tweak the noses of a few people. It’s always fun at times to make some people a little crazy.
‘The best craftsmanship always leaves holes and gaps . . . so that something
that is not in the poem can creep, crawl, flash, or thunder in.”
Dylan Thomas (1914-1953)
Well, welcome back to 2024. I hope you enjoyed the last post concerning Mr. Poe because I certainly did. I thought today I would begin talking about haikus. The current requirements for haikus are a first line with five syllables, a second line with seven syllables, and a third line of five syllables. When I first discovered the haiku I thought the rigidity of this design didn’t make a lot of sense. The more I learned about haikus the wiser I thought I became. Here are two examples of haiku’s written by a gentleman from Japan who is considered the father of haikus, Matsuo Kinsaku (1644-1694). He began writing haikus under the name of Basho in 1672. In Basho’s humble opinion a haiku should be created using a minimum of words to paint a mental picture for the reader. Basho included descriptions of nature in most of his haikus but wasn’t limited to a fixed syllable count. I’m all for free-verse haiku’s but I still find the nature requirement of Basho a bit restrictive. Here are couple of samples of Basho’s haikus published in the 1680’s. See what you think.
Spring rain –
under trees
a crystal stream.
***
On the dead limb
squats a crow –
autumn night.
The structure of haikus as mentioned above were created by two poets, Sokan (1458-1546) and Moritake (1472-1549). In Basho’s opinion their works were terse but failed to adequately evoke nature. Three hundred years later a haiku school, the Soun, was opened celebrating Basho’s free-verse approach. The haiku should be based on content not on the number of syllables in each line. With this I whole heartedly agree.
Here is a little something I discovered recently. It’s shows the form of a free-verse haiku but was simply published as a standard poem. References to nature are gone offering a more interesting take on life, love, and people.
we are the dreamers
we are the dancers
life is the music
love is the song.
For all of you Star Trek fans out there, this was written some years ago by Leonard Nimoy and was included in his book of poetry “A Lifetime of Love” published in 2002.